Art Fight 2020 Post Mortem – A Spicy Art-Sharing Duel!

Hey there! It’s hard to believe that this year passed so fast that we have already participated in an Art Fight event again!

Just like last year, we want to offer some artist insight, and since I, Moski, am the lead artist that’s in charge of the art-side of things around here. I’ll be telling you all about Whales And Games’ participation in Art Fight 2020!

In last year’s post-mortem, we explained what the Art Fight event is, our reasoning to participate and our overall experience taking part in it. But things changed a lot with Whales And Games since last year, which in turn affected how spicy things got this past July! Let’s get into it and see, shall we?

Moski Profile in Art Fight

Starting from the top and recapping from last year, Art Fight is an event where artists get selected into one of two different teams, submit their own original characters and score points for their team by drawing characters belonging to artists from the rival team. It’s two teams drawing characters from each other for a whole month, which results in one of the most wholesome art-trading wars that you can participate in on the internet!

Clip Studio Paint open in an Attack
‘Y2K’ by Akumanorobin

This time around, since we wanted to take the opportunity to wrap up some of the ideas from Whales And Games and Bunny Copulation, we decided to participate in the event by updating our character sheets as well as creating some new ones for characters from both brands. I also wanted to improve my skill on my new drawing program of choice, Clip Studio Paint, which I had recently switched to from Krita for both promotional and game artwork. 

At some point, we thought about a twist to wrap up the event and, well, things went off the rails in the best way possible, merging both our artwork and game development prowess together!

Art Fight Duel Gameplay Screenshot

In this year’s edition of Art Fight, the teams to choose from were between Sugar and Spice. I opted to draw under the flag of Spice out of preference, and, before I knew it, I was creating art left and right!

Art Fight Teams for 2020 Sugar and Spice

Character Sheets and Artwork! Just the usual…?

For Art Fight 2020, we wanted to update a lot of our characters to properly reflect how we’ve evolved since our first participation. Last year, we had plenty of sheets for people to draw built from previous promotional and game art, but we hid them all at the beginning of the event to make new versions of them. 

These new versions, featuring completely original new art created just for these sheets, took a lot longer than expected, eating away the first two weeks of the event. However, despite the delay, they allowed us to introduce some brand new and freshened up designs for several of our mascot characters! Whalechan and Dapperchan are now officially looking nicer and dapper than ever!

Once we finished the character sheets, it was finally time for me to create some awesome art. Since we needed to make up for the time lost, we decided to start strong, picking characters from pending revenges from last year and bookmarks (found by randomly hopping around users) that we thought looked striking. My first piece of art featured an animated background, and as soon as we uploaded the attack, we started getting attacked as well, which was great! We liked the final result of the first attack so much, we made it a goal to animate every attack from there on out. 

Showcase of Attacks for Art Fight 2020
‘Y2K’ by Akumanorobin, ‘Mr. Crow’ by Kun (Ceshoh), ‘Prisma’ by Greteh and ‘Ahvi’ by Wearepopcandies

Halfway through the event, we had finished 6 attacks. We roughly had around 15 by the same time in the previous year. I originally intended to continue making standalone artwork until we were done, but then, we had a wild idea.

Art Fight Duel Gameplay Screenshot

Art Fight Duel, an actual playable game?!

As we were midway through the event, we conceptualized an actual playable card game based on Art Fight. Art Fight Duel, with a pitch document written and all.

I didn’t sleep that night. It was just the perfect mix of, well, everything! We’re game developers and artists, it was a game that involved both Art and Fighting, it could feature over a dozen artists, put some of our own characters into a new game, and it could be just the thing we needed to reignite our game development spirit!

Art Fight Duel Title Screen

From the moment we had the concept down, we decided to make the game rather than to continue making artwork for several reasons:

  • A game jam sounded like a very innovative idea for the event, since it’s usually reserved for finite pieces of artwork. Turns out, it was very novel, since more people made games about Art Fight this year too.
  • The game pitched card game mechanics mixed with auto-battler mechanics. This resulted in the possibility to add as many characters as we could and putting them in a setting where they were actually fighting. Thematically, it made perfect sense with the event.
  • It made use of a lot of concepts from the history of the event. Art Fight Duel is team based, just like its namesake. We also added affinities based on previous event themes and a few nods to things that are well known by the event’s community and past participants.
  • We had the opportunity to put some of our new character sheets to use. Finally, we were able to give Whalechan (and Dapperchan) a proper participation in a game!
Showcase of Sprites for Art Fight Duel
‘Dapperchan’ by WhalesAndGames, ‘Ricketby Nights2Dreams and ‘Penny by CuckyUncle

The execution of the development didn’t go flawlessly, but the result speaks for itself. By spending every single day of what was left of the event in developing the game, we managed to feature 20 artists, with animated sprites for all the 24 featured characters. We took heavily into consideration their designs and bios when creating their sprites, attacks and stats.

We submitted the first version of the game in the last two minutes before Art Fight was over. No stress! After the event, we spent some extra weeks tweaking and adding in audio, a proper title screen and our usual settings and credits, bringing the game right up to our jam-standard!

Art Fight Duel Gameplay Screenshot

Art Insight, Learning and Results

We wrapped up Art Fight, and I was finally convinced that switching from one drawing program (Krita) to another (Clip Studio Paint) was the best thing to do at this point in my artist career. 

Clip Studio Paint open in an Attack
‘Hoshiri’, ‘Jax’ and ‘Makuru’ by PurplePlatypus73

While I didn’t learn as much as last year, I still tried to innovate in my style in some aspects:

  • Layer Clipping – There are many methods to mask and group across different drawing programs. Due to the limited time, I needed one that could be easily organized and managed quickly. In Krita, I used Alpha Inheritance to create shadows, but it required pesky layer management. In Clip Studio Paint, Layer Clipping does similar results in a more simple fashion.
  • Airbrushing I had practised with airbrushes before, but I wanted to experiment with it here too, with great results. Turns out they get along great with Layer Clipping and help give a nice-finish oomph to my pieces!
  • CSP’s Asset Library – My new drawing program comes with a community-driven marketplace where people can create tools and assets. In a few situations, I wanted to make use of some brushes from there, and so I learned how to properly download and install them.
  • Masking – Similar to Alpha Inheritance and Layer Clipping, Masking allowed me to work with each artwork in non-destructive ways, delimiting the areas where some layers could be visible. While one would think that they’re all just different ways of doing the same thing, it turns out that combining either of the two with Masking allows for fantastic results.
  • Special Layers – For some pieces, I needed to experiment with things that I could easily do in Krita which I had not been able to replicate on CSP yet. 
    • One of those was halftones. While not the same, I found out that CSP has full functionality for Tone Layers, which allows making layers filled with simple patterns and which helped me create some fancy effects. 
    • I also learned about Object Layers, which are like Photoshop’s equivalent to Smart Objects. These allowed me to put files in a layer and be able to resize them without destroying their properties.
Clip Studio Paint open in an Attack
‘Mr. Crow’ by Kun (Ceshoh)

Beyond Art into Game Development!

Beyond the standalone artworks, Art Fight Duel represented equal opportunities to learn differently. It helped me understand things I could do better on Krita before, like the character sprites and the use of mirroring tools. However, I did end up using pretty much the same techniques for the duration of the development, as there were not as many opportunities to try new styles.

Clip Studio Paint open in the Art Fight Duel background

Aside from its artistic point of view, there are some takeaways to explore too when it comes to the development of the game. While we had previously discussed considering making a game for Art Fight, it didn’t become a serious consideration until late into the event. Yet, once we got started, we couldn’t stop.

We did as much good to Art Fight Duel as it did to us. It had been a long time since we last made a short self-contained game, and it felt fresh to go back to that. We chose a genre we have never challenged and went with mechanics we had never used. Since Art Fight is an endless ocean of characters, designs and concepts, we rarely had troubles in finding any particular thing that could fit any of our design’s needs.

Art Fight Duel Gameplay Screenshot

As a result, Art Fight Duel became one of our most ambitious games, mixing strategy, fast-based mechanics, a distinctive style, and plenty of cards. Plenty of the people who had their character featured in the game have been pleasantly surprised. Given the circumstances, we’d say that the game was quite popular among the social circle it was made for, and it has plenty of opportunities to grow!

However, since it had been a while since we last developed a short self-contained game, we heavily under-estimated the implementation of some features. As a result, we had to spend some extra weeks following the end of Art Fight implementing quality-of-life inclusions such as settings and audio without otherwise would make the game feel lackluster.

Art Fight Duel Settings Screenshot

With us participating in Ludum Dare 47 in the coming week, and with Bunny Splash Casino resuming development, it’s important we take these short-comings into consideration, and make sure we prepare in advance. For example, features such as re-usable settings menus can be prepared ahead of time of the event to avoid spending precious jam time adding basic quality-of-life features.

Art Fight Duel Gameplay Screenshot

Numerical Feels-Good

Spending so long in making character sheets and changing gears from making artwork to making a game jeopardized our opportunity to receive cool artwork a bit, and ended up receiving less artwork than last year. However, the game was fantastically received to the point that it even got featured! 

Art Fight Duel featured in the Art Fight Website

Aside from that, and just like last year, there are still numerical results we’d like to evaluate, and which help us gauge our participation and performance in the event:

  • My account has 1124 followers at the time of this post. It had 401 last year, so that’s a massive leap! It helps that this year we knew about the event in advance, which allowed us to network ahead of time.
  • This year, I made 6 drawings and one Mass Attack in the form of Art Fight Duel. Last year, I made 26 drawings. While I had less to show than last year, all of it was animated, and the game was a great success!
  • We updated 6 of our 12 character sheets from last year. Aside from that, we finally closed-off Whalechan’s new design, formalized Dapperchan and showcased a bunch of new Bunny Copulation designs!
  • We received 42 defences. That’s lower than last year’s 60. This is the result of roughly being “active” for a lot less than last year, since we were busy with the character sheets and the game. But the notoriety of making the game should cause some interest in 2021!
    • Of those 42 defences, the Whalechan redesign was the most popular, getting 15 defences, with Buns Buns following second at 11 defenses.
    • Bluessom triumphed over Jazzy this year, with 5 versus 3 defenses.
    • While other participants were quick to fall-to-love with Whalechan’s ​new design, Dapperchan still needs to warm up to people, as she only got 3 defenses overall.
    • Some characters which we didn’t even do new sheets for, such as Caffie and Mr. Woofman, got 1 defense too!
Showcase of Defenses from Art Fight 2020
‘Dapperchan’ by Orange-Kiwi, ‘Whalechan’ by Tianmasaki, ‘Buns Buns’ by Minimep, Cheqmate’ by Reinsroom, ‘Autumn Whalechan’ by Amuerion, ‘Cheqmate’ by Sosha, ‘Whalechan’ by Akumanorobin and ‘Jazzy’ by Sckookum

Feelings and Emotions

While the experience overall was fantastic, Art Fight occurred in a very tumultuous moment for us. At times, it was difficult to grasp that the expectations and the reality didn’t match up perfectly. However, it was also proof that some of the best things in life are not really planned, and that even when plans don’t match expectations, one can have a great time.

Clip Studio Paint open in an Attack
‘Prisma’ by Wearepopcandies

Last year, I came to the conclusion that I really enjoyed drawing characters. And I still do, perhaps even more, but the experience came around with the idea that I’ve also got to grow in maturity. The novelty of having this brand-new event was gone, and we needed to up the ante. This resulted in us participating in the event as if it was a self-imposed opportunity, and wanting to make the most out of it across character sheets, thumbnails, animation and even a game. Rather than treating Art Fight as a leisure, as we probably should have, we ended up feeling fatigued as the days went by.

However, doing art leisurely or for the sake of improvement are not necessarily contradictory statements. The saying says “find a job you enjoy doing, and you will never have to work a day in your life”. I’d say that’s partially true, but one has to also cope with things like health and fatigue, and adjust accordingly. But even when things go dire, I really do like drawing. I may be older than the average participant and have been doing art since my teens, but drawing fun, interesting characters is still part of my DNA.

Showcase of Attacks from both 2019 and 2020

Final Remarks

Applying my artistic skills to make an actual game really opened up the possibilities of what I, and we can do during Art Fight. Regardless of making regular artwork, animations or even games, it’s important to play to one’s strengths at times, but also to take risks in others. I don’t feel so bad about having missed out on doing more character artwork when I see that people really enjoyed playing the game.

Unity open in an Attack
‘Ahvi’ by Greteh

We have evaluated the possibility of making it a tradition to update Art Fight Duel every year, with new mechanics, adding content to match the new themes, and, of course, even more characters from more artists! We still need to make more character sheets, and, if things go right, we’ll be plenty busy with Bunny Splash Casino alongside it. For now, we’ll wait and see, but it’d be a fantastic time to update it going forward!

Showcase of Defenses from Art Fight 2020
‘Whalechan and Polite Whale’ by Sweetkooky, ‘Bluessom’ by Mantiskin, ‘Buns Buns’ by HammyandFriends and ‘Whalechan’ by Esmahasakazoo

For the time being, I’ve got a whole year ahead of me to further polish my skills so that, if I do join Art Fight next year, I am even better than I was this year! Even if fatigue or personal worries get in the way, I still see myself creating artwork for the foreseeable future and I’ll do my best to enjoy it.

That will be something to look forward to! For now however, we have to prepare for Ludum Dare 47, and the challenges our new commercial projects bring us! Thank you for reading and I hope you join us along for the ride! Cheers! 🐳

Super Sellout’s Art Asset Sweatshop

Hey there, fellow whippersnappers. It’s a Whales and Games tradition to share our game development perspective. And, as I’ve done a few times in the past, I’ll be giving y’all some good old insight about the artwork done for our Ludum Dare 43 game. This time, for our not-really-endless and very-slightly-on-theme superhero runner Super Sellout!

Almost every single pixel you see on the screen that’s not text was made with Krita, which is a free open-source digital painting program. If you want to get into asset making, even if it’s pixel art, I recommend it. Just download it, get a $40-$80 tablet, read a few tutorials, and you’re ready to go.

So, with Krita and a tablet, I was able to make spritesheets for pretty much everything. The main character, the people in need, the background, UI, and even the logo. Almost everything starts with a sketch, then lining up, coloring, adding details, arranging, and saving as a backgroundless PNG, to be imported in Unity.

Did I do anything special this time around? Other than trying a different style, not really. Our previous projects, like Petty Puny PlanetJazzy Beats and Wizsnooks, had a very similar workflow. It all starts with some sketches, then making their respective lineart, coloring, shading, and adding final touches.

Granted, actually making in-depth animations could have taken too long, so we took a lot of shortcuts. I’d like to talk some other day about the design and looks, but long story short, we opted for some paper-cut-out style so that we could justify having so few frames, and thus, allow me to make more content in other places. That’s why we’ve got so many people to rescue, different buildings, menus and what not. In a way, you could say I sacrificed some things in one area to add to others.

Krita, the digital painting program, excels at that, painting, but doesn’t mean that it can’t be used for gamedev assets. Heck, I used it for pixel art for Ludum Dare 36 and 37, and I’m pretty sure that people more talented than me could even make vectors or some impressive stuff. At least on my level, it works to create PNG files that can be easily used in Unity by the rest of the team. That includes the characters, UI elements and even the logo.

Gamejams are a very hectic experience, and it’s extremely hard to juggle between designing, programming, making art, music, playtesting, polishing and delivering. If I was able to make artwork that’s easily recognizable, it’s only because the Whales and Games team were hard at work with the rest of the elements. They do what I cannot do, and I do what they can’t do. They’re the best. If you’d like to come hang out with the team at some point, you’re more than welcome into our Discord server. Come in and we’ll talk about Warframe, Smash bros, the dankest of memes, and cute anime girls high end videogame development.

Here’s hoping you’re having a fantastic rating season. We’re still playing games around, and some have been among the best ones I’ve seen in gamejams to date. Y’all are faaaantastic! Anyhow, I believe I’ve overstayed my welcome. If you’d like to have some more insights from my previous art works, do take a look at the following links. And if you’d rather read about scripting instead of art, my little buddy Jorge got you covered. with an in-depth take about the innards of the game. Keep your chins up and have a fantastic weekend, friendorinos! ?

About Making Assets and Bad Guys in Wizsnooks

On my previous post, I talked a bit about why the art of our game, Wizsnooks, looks like that, mostly showcasing some assets. Today, however, I want to bring up something a bit more meaty instead. Say, how about a step-by-step deployment of an asset?

And what better than doing that by showcasing bad guys? I mean, Kroltan already showed you the guts of the game, while also proving once more than old-timey cartoon villains are the best. So, let’s go from there.

Remember, the tool I’m using is Krita, which is completely free and downloadable from here. To make the best use of it, you need a digital painting tablet. This can still be done with a mouse, but it may take way more time. Getting a 50~100USD tablet is a wise investment.

Wizsnooks is snooker or pool, mixed with roguelike fantasy elements. So, clearly, our enemies will also need to be pool balls. So, the assets begin with a simple circle over a backgroundless layer.

Below it, I filled the layer with color, which can easily be later shaded and recolored for different enemies. The less layers you use, the quicker you can do the process, but with a color and a shade on different layers, you can have more customization in the future.

When I had the ball done (which was layer copied, pasted and edited multiple times to make a sheet), I proceeded to sketch enemies. Each sheet consisted of an Idle pose and a Rolling set of poses. The plan was to make the idle look menacing, like an enemy should, while the rolling was meant to look funny.

So, I turned down the opacity of the ball, and sketched on a new layer above them. Then, when I was done sketching, I would make yet another layer with the lineart, and delete the sketch.

I later colored on a layer below it. There’s techniques such as coloring over alpha and the like, but I’m mostly just going with the basic instructions. This is how the colored layer looks under the lineart.

And here’s how it looks with the opacity of the ball at 100%.

Needless to say, the process is repeated for every pose. Because these are circles, it would have been simple to just draw over the circle, like the protagonist, and be done with it.

However, that was by design to allow the player to look good with helmets and swords. The enemies, to outstand, would need a bit of volume, so there were parts that needed to stick out.

And there it is. Now, Jorge made an animated version of the Dragon Orb (which we affectionately call Dragorb). Here’s the cute little fellah.

That’s pretty much all there is on the subject. Feel free to ask any questions or the like about the development of these assets or the use of Krita. I’ll try to answer to the best of my ability.


Here’s hoping you get a chance to see the whole thing come alive by playing Wizsnooks, available on your browser and downloadable for Windows, Mac and Linux. If you want to chat, this Discord server is where it’s at. And last but not least, here’s the Whales and Games Twitter, so you can keep in contact with us.

In behalf of our team, we hope that you have a fantastic judging phase. We’ll continue to check more games, so be sure to put your best face. Cheers! ? 

My Role as the Artist of Wizsnooks

On Ludum Dare 40, I wrote about how I spent 2 days drawing characters for our game. It was a follow up to the post I made on LD 38 about Krita, the free open-source program. Today, I’ll be retreading the whole thing, but applied to the art of our latest game, Wizsnooks!

The games developed here at Whales and Games usually consists of a programmer, a sound effects person and, in the lack of any other art-people, me. So, during the brainstorm of ideas for our game, someone suggested mixing snookers with roguelike elements in a medieval setting. Seeing the appeal, I quickly sketched a concept of sorts for it:

When we finally decided to use that theme as our game, we had to start thinking about the whole “looks” of the thing. I even tried at one point going with non-lined art to parody Dark Souls or something, but in the end, we chose to stick to my classic style. I even sketched many possible faces for our protagonist white ball.

And Just Monika.

I could go into detail about the story behind every enemy of the game, the tiles and the weapons, but the core of what I want to comment is this. Because of how our team is managed, the programmer(s) can focus on making a great game and the sound person usually does a few tracks and then offers main support to the programmers. I, the lead artist, have no real knowledge of programming and can barely use the tools to upload my own assets. However, having one sole task, I get to draw a lot, and then some, and then some more. Here’s a few screenshots of the development of art assets of the game.

I really want to thank my team, since, otherwise, I wouldn’t be able to participate in game development in this fashion. Dedicating pretty much the whole game jam time to art lets us make more with our time. If you’re interested in seeing how this all went from still assets to something live, do give Wizsnooks a try.

And for those that would like to do their own assets for future game jams, go download Krita. It’s 100% free and constantly updated. It can also be used for sprite work. Like all good tools, it takes a while to understand it, but even with a very cheap digital painting tablet, you could really make your future projects sparkle.

That’s all for now. Whales and Games thank you for reading and for participating in this jam. If you feel like chatting, our Discord channel is live. Cheers! ?

Two Days of Drawing Characters for Jazzy Beats

Hello there. I’ve come to talk a bit about the art direction of Jazzy Beats. As usual with our games, we’ve got a dedicated programmer who can barely doodle and a dedicated artist whose programming knowledge dates to 2002’s HTML classes. We’ve also got a cool audio guy around. But my point is, a game like this one was only possible because of division of labor.

So I want to talk about the art. First thing first, the program I used is the free open source Krita, which I use for all of my drawings, spriting and what not. All of our other games’ art have been made with it too. The banner as well. And while any digital painting tablet works just fine, I do happen to have a Cintiq display. That’s a year and a half worth of commissions though!

Now, what was my workflow to make as many of these sprites as possible? Well, since I did dabble a bit on Unity this time around, the idea was to make “basic poses” only, and manage the transitions through simple Unity movements, like bouncing. So, I didn’t have to sprite all the frames. That would have been unreasonable for a project like this. Heck, thiswas unreasonable. My wrist ended up aching so much by the time of the deadline. But it was well worth it!

So, by making quick sketches first, then lining them up, coloring and adding extra details, I was able to make a pose. Then another, and another, and so on. Because of time, I had to cut on corners wherever it was possible, so most characters have the same poses. And for purposes of gameplay, some characters are only recolors:

However, I didn’t just want to make the recolors be recolors for gameplay purposes. There’s a lot of colorblind people out there, so, trying to make it as accessible as possible, I tried to reverse the values of clothes. Note how the yellow guy has bright pants, while the blue character has a light shirt instead. I admit my ignorance when it comes to how colorblindness works, but I want to say that at least I tried to accommodate.

Finally, since the game was about a very crowded street, I wanted to make as many enemies as possible. Time was a constrain, so there’s only 4 different looks (8 if you count the recolored versions). Cutting corners, the second version of characters were just a new layer of stuff above the old one, with some minor tweaking here and there. For example, the second male fan was the same with a goatee, different hair, a scarf and boots. Here’s how the final sheet for the yellow alternate fan looks like:

’m extremely satisfied with the results. If you happened to be the artist of your game, I’d like to know about your own experiences when working on it, so do let me know!

Here’s the link to the game again, in case you’d like to see these in motion. And do leave us some comments if you’d like me to check out your games as well, since I’m really pushing on Feedback Friends this time around. In behalf of my team, we hope you’re having as much playing games as we are. Cheers! ?