Want to warm your ears with some sexy tunes? Our entire 14-track Cosplay Café soundtrack by Robin is now available for your personal listening pleasure at a multitude of different services! That includes places such as Spotify, iTunes and of course, the ever classic Youtube!
Grab a nice cup of coffee and listen to some soothing music! Of course, depending on the service you’re using, you might need to have a subscription to it, but otherwise, you can always listen to them through ol’ sometimes-reliable Youtube!
Here’s the different places where you can find the soundtrack at:
And of course, if listening through streaming services is not your thing, we also have the soundtrack available as a zip download through Itch.ioand Game Jolt! They’re a bit of a bulky download, but it also assures that you get the best quality possible right on the spot! 🎧
It’s been an amazing two weeks since we’ve unleashed Cosplay Caféto the world! We have a few more smaller patches that we want to get out for the currently live versions before we get our hands full with the next major expansion, and we’re expecting to know the results from Strawberry Jam 3 tomorrow as well! Hype!
If you’d like to join the discussion around future updates, we totally recommend you join us at our Discord Server! We’ve have been having some wacky ideas for future content and we’d love for you to chime in! Cheers! 🐳
For this game I’ve worked on two music pieces. One majestic game theme and a introductory main menu theme!
Main Menu Theme
The Main Menu theme is normally the second music track I make in Game Jams. The reason behind is that I many times focus firstly on the game experience making the game theme and the SFX for it. If I have enough time after that’s done, I’ll start working on the Main Menu Theme.
The Main Menu theme actually inspired the current main menu background and the lore of the game. As I was regularly posting small updates I did to it. When we were discussing what the name of the game would be, Moski, made a small scribble of the main menu after he was listening to one of my updates.
While we had known that it was medieval we still hadn’t figured out a plausible explanation of the setting of the game. After the scribble we came to a conclusion that our game would be a wizard’s snooker game! And done, we just found an explanation and shortly after we decided on the game’s name! See what a piece of music can do to the artists? Always post updates to your workmates! ?
You can listen to the main menu soundtrack here.
While creating the game theme my objective was to create something that was adventurous/fantasy, but still casual, with some epic mixed in there.
The game was inspired in some fantasy game tracks, like Rayman Legends and Magicka. I tried to get the more up-beat melodies from Final Fantasy, in the beginning, but that didn’t felt really well placed with what I was creating.
I mainly do music composition as a hobby on top of being a software engineering university student. For me, my passion are games and their creation.
In this post I’ll be going through the creation process of the music for Jazzy Beats, and in a future post I’ll go through the SFX process instead in more detail.
The list of materials I used for the music composition this time around was as following:
Laptop with a DAW (Digital Audio Workstation) installed (Bitwig Studio)
MIDI Controller: M-Audio Keystation Mini 32
A Pair of Standard Headsets
While preparing for the jam, I had some problems with Cubase, the DAW I wanted to use for the music composition but wasn’t able to. Instead, I used my backup DAW, Bitwig Studio.
Bitwig Studio is a rather new DAW in audio scene, but it has rather some interesting features. One example of these is being able to able to open multiple projects easily at once and switch between them (almost like Chrome tabs). Each plugin (or VST) runs in its own sandbox, meaning that even if the program crashes it doesn’t crash the whole process together with it. Plus, it’s rather intuitive for beginners like me to use.
This was also my first time participating in a game jam with a MIDI controller, and I have no freaking idea why I hadn’t bought one of these before. The MIDI controller I use is a simple one, with only 32 keys, a volume knob and octave buttons. It’s light and quite small, and, as such, it’s perfect to take with me to local game jams, especially when they involve traveling to other places (picture above).
It’s also quite cheap, meaning it’s a perfect choice to get into music composition even if it’s just for something like game jams!
Music is not something easy to create, especially during a game jam. The reason behind this is that most music is build around the visuals of something. What happens during most game’s development cycles is that the music is primarily created when the art and the base game mechanics are already in a state where they won’t change much. On the contrary, in game jams, what mostly happens is that you don’t have the time to waste waiting out for the development of the visuals.
What did I do to resolve this issue? After the game idea was settled, I waited for the first sketches of the game, whilst also searching for references. I also asked the game’s programmer and artist for music ideas based on what they’d like their characters to sound like, or asking about the games that inspired it’s visual style. In this case the visuals were highly inspired by two games, Skullgirls and The World Ends With You. I started listening to some of the music in those games. This was the music track I used the most as a reference:
After listening to some other tracks, I started setting up the instruments I would like to use, and getting some chord progressions together alongside them. After getting some progressions up I started searching for some non-game soundtracks to see if I could find any interesting ideas in BPM’s, beats, and even in the combination of instruments.
After I got some ideas, I started changing the chord progressions to have more rhythm together with the base/background instruments. The music composition kept constantly changing as new art and gameplay started emerging.
At the end of the first day I had the game’s music created. Even though it was done, during the next days I needed to continue adapting the music to fit the visuals and the sound effects.
To continue making those changes, you really need to find a good workflow that allows you to easily make changes, mix and master the tracks. Always be ready for more changes. The perfect workflow was something that I unfortunately wasn’t able to achieve yet.